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    March 23, 2017

    The killings attributed to the Manson Family are, in their essence, no different than crimes that happened on a daily basis in the 1960′s. Though gruesome, multiple homicides and even serial murder were not new concepts at the time. Why, then, did these particular crimes capture America’s attention to such a degree? Much like it’s films, Hollywood’s most famous murders were tailored perfectly for public consumption. The most well known victim, Sharon Tate, was a beautiful young starlet. Playing opposite her as the villain was Charles Manson, a larger-than-life character that seemed to embody the worst aspects of the permissive sixties culture. Conservative America was distrustful of the youth movement, and Charles Manson’s very existence confirmed all of their fears. Many have attempted to bring the killings to the screen with varying degrees of success. John Aes-Nihil’s MANSON FAMILY MOVIES brings a fresh perspective to this familiar topic. MANSON FAMILY MOVIES is structured to resemble just that: home movies shot by members of the Manson Family. Working without dialogue, Aes-Nihil attempts to bring a narrative structure to a collage of images that are both graphic and disorienting at times. The viewers are taken through key events in the Manson Family’s history. Additionally, the omniscient camera also shows the victims prior to the murders. Aes-Nihil uses a blend of concrete facts (to which he brings a high level of detail) and urban legends surrounding the crime, which are shown in gloriously exploitive sequences. The lack of dialogue is going to be the main stumbling block for most viewers. In lieu of dialogue, Aes-Nihil will occasionally use crudely drawn title cards to convey character’s speech. The film is not silent, however, the soundtrack is compiled from the recordings of Manson and his Family members, lending a macabre authenticity to the proceedings. The lack of dialogue creates a problem for viewers unfamiliar with some of the subtle details of the case. This is clearly a film for devotees of the crime, as an intimate knowledge of it is all but required to follow the film closely. Though it shows the Family and their crimes in great detail, MANSON FAMILY MOVIES does not glorify them. By using the “home video” format, Aes-Nihil is presenting the Family’s activities as part of the collective memories of a nation. Just as your trip to the beach when you were nine is a part of your memory and an event that shaped your life, the Manson Family murders are part of the memory of America. It’s an event that seems less than real now, like a movie you’ve seen in the past. Aes-Nihil’s film shows the murders as an event that transcends a mere crime story and instead a crucial event in shaping society after the sixties.Rating: 5 / 5

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